Released in February 1965, this early work by Agnes Varda is ostensibly a cheery movie with bright colors, dappled sunshine and a beautiful, loving family. Yet behind this Monet-esque revery are ideas that may have you questioning some of the basic moral principles of modern society. The story centers on Francois (Jean-Claude Drouot), a square-jawed cabinetmaker who gladly spends every spare
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